With a little help from The Cranberries, and footage from the People’s Vote March, London, 3-23-2019
In my (literally) fevered brain, I’ve been searching for a way to make a statement about the People’s Vote March, the Irish Backstop, and the seeming lack of concern among politicians like Jacob Rees-Mogg over the violence which could ensue in Northern Ireland if things aren’t handled just right. This is it:
Full screen it for best effect, and choose 720p. Any problem with the embedded video, try this Dropbox link:
I also made an animated GIF for added exposure:
During peacetime, we don’t recognize how fragile and precious peace is, and how easily the peace can be lost. To use a stupid pop analogy, it’s like a game of Jenga, where removing the United Kingdom from the European Union may cause a chain reaction which sends the Towers of Peace crumbling.
In the video, different media sources are blended to create an ironic commentary in the guise of a “for dummies” book, with British MP Jacob Rees-Mogg cast in the role of dummy (or zombie). The French version of “for dummies” is “pour les Nuls,” as was kindly explained to me 20 years ago by my then workmate Virginie Ducrot.
During the time of the “Troubles,” a hard border between Northern Ireland and the Republic of Ireland was a source of constant fighting in which thousands died, including innocent children. Then the Good Friday Agreement established an open border and fighting ended. Yet, the same forces still exist in Northern Ireland today, and might easily be re-ignited by Brexit. But the Brexiteers gave no thought to the Irish border, and don’t take seriously the need to avoid a hard border at all cost. What’s in their heads?
The Cranberries’ music video “Zombie” was banned by the BBC. It’s not hard to understand why. It’s one of those pieces of art that forces you to confront difficult issues. At first, I worried that the Crucifixion theme was sacrilegious. But while some of the imagery is garish, it makes the powerful point that innocent children are being crucified, and the consciousness behind this killing is not noble or heroic — it’s more in the nature of a gnawing spirit of hatred that knows no mercy.
This January marked the one year anniversary of Dolores O’Riordan’s tragic death at the too young age of 46. Her song “Zombie” transcended the Irish Troubles and became an anthem decrying senseless violence between warring tribes wherever it occurs — from Bosnia to Rwanda. As she hailed from Limerick, I offer her this sincere tribute:
There was a young girl named Dolores,
Who echoed a powerful chorus;
She protested the killing,
And in Heaven, God willing
She’ll put in a goodly word for us.
The views expressed are my own, and do not represent any other person or organization.
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