Shedding new light on the contributions made by this immortal teacher and his musical oeuvre
I am so grateful today, April 13th, 2019, to write something about Sri Chinmoy, the great and good spiritual teacher, musician, poet, and artist who came to the West exactly 55 years ago today.
I am grateful because I feel that Sri Chinmoy saved my life many times over (though I hardly deserve it). I was and am a poor student, but Sri Chinmoy always reflected such an effulgence of light that even the dullest student could not fail to absorb some of it and be changed by it.
And by God’s Grace, I think I have some inkling into how much he willingly suffered in order to be of help to those who sought out his spiritual guidance. As human beings, you might say we are half-devil, half-angel. Or you can say that when we try to go one step forward and become spiritual, then we discover the destructive tiger within us that wants to keep us in its den at all cost.
By challenging humanity to change for the better, to embrace ideals of peace and divine love, Sri Chinmoy had, at times, to endure the hatred of the world. And in offering a helping hand to those who specifically asked him to help them change their nature, he had to endure hatred, at times, even from his own disciples — from the destructive tiger within them.
Human nature is fickle. Today, and for a few days (or weeks or months or years), someone wants to become spiritual. But after a time, the same person may lose interest and intensity, or may fall victim to desire. At that time, they may hate and blame the spiritual teacher for taking them away from worldly life — forgetting that it was they themselves who asked the spiritual teacher to guide them, and they who assured him that they were ready and eager for the spiritual life.
A simple truth: Those who wrong or betray a spiritual teacher may hate him because deep down they know they have wronged him. I was reminded of this simple truth by a scene from an old movie: Ice Palace (1960), based on the novel by Edna Ferber.
Sadly, it is human nature to sometimes hate those whom we have wronged. But today, April 13th, is a day of celebration. And to celebrate the 55th anniversary of Sri Chinmoy’s arrival in the West, I want to offer 5 songs by Sri Chinmoy. These are not just any songs, chosen casually. Rather, they are a gateway to understanding the richness and depth of expression found in his artistic oeuvre.
The 5 songs lay the groundwork. But in addition, there’s a sixth bonus track, and what a track it is! — a medley incorporating all 5 songs, strikingly arranged and masterfully performed by Gandharva Loka Orchestra. This is a large international ensemble of singers and instrumentalists dedicated to performing Sri Chinmoy’s music on a grand scale:
As a lifelong student of music, I’m very excited about sharing these songs in this particular format. It’s so gratifying to hear the individual songs, then see how they’re combined contrapuntally and polyrhythmically in such a powerful and joyous fashion. If there’s one concept that shines brightly from this experience, it’s the idea of call and response. Whether in gospel music or jazz, call and response is the essence of communication. And in the lives of great spiritual teachers, we see that it’s also a matter of call and response. The message of one enlightened soul is so electric that it lights the way for thousands of seekers who then take up that call and lend their own voices to it in richness and harmony.
When I hear Gandharva Loka Orchestra’s striking arrangement of Sri Chinmoy’s songs echoing through the large hall, and met with thunderous applause, I feel dynamically energized, but also I feel a sense of completion. I hear over a hundred people crying out (in essence): “We have heard your call, and now we are singing back to you, with immense gratitude, the songs you have taught us.” The cycle is complete.
More About The Songs
Sri Chinmoy was a prolific composer of spiritual songs in Bengali and English. These five songs are in Bengali, with English translations for two of them given by the composer:
I lead my poor vital along teeming roads
To discover happiness birthless and deathless.
I see Your Beauty’s Feet
Shining and scattering their radiance
Inside a tiny twig of my hope-world.
A perfect stranger am I now
To the tired and sleeping life.
The confines of the hope-empty Sahara
Will never be able to imprison me.
My heart-door is completely open.
O my sweet Lord Supreme,
Come and enjoy Your Ecstasy’s Dream
On my heart-swing.
Do come driving Your Light-flooded Chariot,
On the flower-decorated purity-road.
And the moment You come,
Do make me lose my division-self
And make me one with Your
The character of these two songs is completely different. In the first, the seeker is still wandering through the desert, and only catches a glimpse of the spiritual Reality that will eventually liberate him. In the second, she is well along the path of Bhakti Yoga, and with open heart is enjoying a feeling of sweet devotion and oneness with her Lord Supreme.
These contrasting moods are strongly developed in the arrangement by Gandharva Loka Orchestra. There are elements of world music and jazz fusion: a large orchestra and chorus, tabla accompaniment, a Chinese erhu solo, and an amazing soprano sax solo by Premik Russell Tubbs, who listeners may know from the Mahavishnu Orchestra. Like any great band, Gandharva Loka Orchestra combines fantastic arranging skills with tremendous freedom on the part of individual soloists. Yes, it’s spiritual music, but it also swings.
These tracks collectively comprise a half-hour odyssey into Sri Chinmoy’s music-world, and begin to get at the variety of musical expression he fostered, both in his own compositions and performances, and in the way he inspired his students to form groups reflective of their individual style and musical experience.
There is always more to discover about Sri Chinmoy’s music, and I hope this brief introduction has sparked your interest. Thank you for reading!
0:00 “Sonali Jyotir” performed by Arthada and Friends
2:42 “Mishe Phulla Dale” performed by Sri Chinmoy
3:56 “Oi Akashe” performed by Akasha
7:01 “Sukhero Lagiya” performed by Sri Chinmoy
9:34 “Chitta Dolai” performed by Mountain-Silence
11:39 Medley performed by Gandharva Loka Orchestra
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