Exploring the subtleties of Sri Chinmoy’s music with a delightful mix including flute, esraj, singing, and piano, plus detailed notes
UPDATE 5. A very happy birthday to Sri Chinmoy, who would have been 88 today, August 27th, 2019! In the music world, when we hear the number 88 immediately we think of the piano, which has 88 keys. And indeed, the piano is an instrument for which Sri Chinmoy showed tremendous fondness. He played many instruments, and imparted to each a particular quality or manner of expression. Taken together, these begin to comprise his musical oeuvre.
Sri Chinmoy was a man of action, not a dry theoretician, or a composer removed from the performance of his works. He wrote countless spiritual songs, and was very active in singing, playing, and teaching them. But though his songs represent a significant corpus, he was also known for his striking improvisations on piano and pipe organ. Often times, at the close of a concert of one or two hours in which he played his songs on a variety of instruments, he would end with an avant-garde piano improvisation.
His flute melodies are extremely pleasing to the ear — the essence of zenlike simplicity. When he played the Indian esraj (a bowed instrument similar to the better-known sarangi), this imparted a haunting, ancient quality. His singing was all heart and soul, seeming to embody the seeker’s plaintive cry to know the Divine, and to be freed from the shackles of ignorance. He himself was ever-free, but identified with the pangs of seekers.
When he sang in concert, it was as if he were bundling up the collective longing for God of his audience, and directing it as a single prayer upward to the Divine. Something more: As a spiritual Master, he was able to fulfill that prayer, to bring it to fruition. So inwardly, in the course of a concert he would play the role of both a seeker and a Liberator, carrying the collective longings of his audience Heavenward, and showering them with inner blessings from the Highest Height of meditation — throwing them into the Universal Consciousness (as he would put it). The closing moments of his meditations and concerts were indeed special for this reason. They are coloured deep blue in my memory. Continue reading