Charlie Chaplin was the consummate artist of his time. His ability to communicate emotion through pure gesture was timeless, as are the films he made, and indeed the people in them (now long dead). Projected on the screen of post-modernity, they seem more wonderful than ever!
Our attention span and recognition of memes has changed over the past hundred years. Timeless is a re-editing of Chaplin silent footage from 1921 or earlier, with new royalty-free music which complements the comic scenes, but also adds a sense of poignancy to the more tender ones. (Credits/captions are also new.) Plot elements have been obscured, leaving the characters and actions to speak for themselves (which they do admirably). When Chaplin and Edna Purviance meet, something magical happens — something timeless. It requires no explanation. The expressions and gestures of the characters say all that is needed. Continue reading →
Enjoy “Johnny at the Fair” and “The Rebel Set” riffed on by Joel and the bots.
For those who don’t know, the premise of Mystery Science Theater 3000 is that Joel Robinson is stranded on a spaceship with a couple of robots he made himself. A mad scientist and his assistant force Joel and the bots to watch really bad movies, and sell the results to cable TV.
Back in the 90s, Turkey Day often featured a 24-hour marathon of MST3K episodes run back to back. For this Turkey Day, I’m offering just a single episode (#419), consisting of a short and a feature. Continue reading →
A science fiction podcast from Lightspeed Magazine
UPDATED! Having known many vegetarians — including some who worked in or even owned vegetarian restaurants — I thought I would post this podcast of a story called “The Greatest One-Star Restaurant in the Whole Quadrant,” by Rachael K. Jones. You might say it’s about the difficulties of the restaurant business, and the problems caused by meat. 😉 [Click to listen:]
More specifically, it’s about a bunch of cyborgs who are fleeing human beings; only their stolen spaceship is a food service vehicle, so they keep getting pinged by human ships wanting to place takeout orders.
To buy time, the cyborgs try and fill these orders. Despite having no experience as cooks, they eventually manage to flesh out a menu and expand their customer base. This leads them to the cusp of a momentous decision: Should they really lam it back to the cyborg factory, henceforth to live only among their own kind? Or should they continue to perfect their culinary skills and scoop out a place for themselves in the restaurant biz, catering to the hopelessly illogical tastes of humans? It’s really something of a head-scratcher… Continue reading →
Although a comedy, this classic film from the silent era provides an iconic view of those arriving at Ellis Island and beholding the Statue of Liberty for the first time. Plus, Josh White sings “One Meat Ball,” and we also discuss Wayne Wang’s film Chan Is Missing.
With all the talk of Donald Trump and immigration, as well as the visit of French president Emmanuel Macron, I thought readers would enjoy seeing The Immigrant, that wonderful Charlie Chaplin short from 1917. A fine restored print with tasteful classical music and beautiful typography! Continue reading →
From Charlie Chaplin to The Vicar of Dibley, the Great Storm meme has endured — sometimes in comic form.
I’ve had snow on the brain lately, due to the Beast from the East and Storm Emma, as well as nor’easters hitting here in the U.S. (the latest just in time for spring!). I’m still excited about completing my short film Salvation featuring people, sculptures, and horses in the snow. (My resources are limited, but with what I have I try to make a statement.)
There are many examples of snowstorms providing the dramatic or comedic focal point for memorable scenes from film and TV. A few that spring to mind are: Continue reading →
There’s been no shortage of sad news lately. In “Terrorism Has No Religion,” I wrote about the tragic Manchester bombing. This was quickly followed by the London Bridge attack, and the (accidental) fire in a West London apartment tower yesterday — the same day as a shooting targeting members of Congress who were out for baseball practice in Alexandria, Virginia. Late in the same day, yet another deadly shooting at a San Francisco UPS facility.
I have in mind to talk mostly about the baseball shooting, making two main point: first, that some facts aren’t being faced which need to be faced; second, that some solutions exist which aren’t being discussed. Finally, since I’m a film buff, in contrast to all these Big Murders I want to talk about Little Murders, a film written by Jules Feiffer capturing that peculiar American proclivity for taking lethal potshots at one’s neighbors. Continue reading →
Connecting the cultural and political dots, and revisiting a classic film by Costa-Gavras
There’s an old saying that a poem doesn’t mean, but simply is. The saying’s trotted out when folks in English class rambunctiously insist on extracting a prose meaning from a work of poetry — not unlike getting a furball out of a cat by using a brickbat. What’s implied is that poetry is a process, a way of seeing, and that it differs from prose. Try as one might, one may fail to transplant the life of a poem into some other medium.
Like this, really great films may have their subject matter, but what often makes them great is their way of seeing ordinary interactions between people and how the universe works. Yes, there’s a plot and dialogue, and there may be prosaic meanings; but there’s also a certain poetry to filmic images.
So if I tell you the 1969 film Z is a political thriller, don’t misunderstand or imagine it would bore you if you’re not much into politics. Like most great films, it transcends its subject matter by being about people and how the universe works. It remains as fresh and relevant today as it was when released nearly fifty years ago. Continue reading →
Using scenes from the film Term of Trial to explore the topic of student-teacher relations…
Term of Trial is a 1962 film directed by Peter Glenville, starring Laurence Olivier and Sarah Miles. It explores the complex dynamics which develop between a teacher (Olivier) and the young student (Miles) he’s tutoring. Here are some scenes: Continue reading →
Children’s entertainers, performance artists, or simply lunatics?
Just before my winter hibernation, while foraging through YouTube looking for raw material for one of my mashups, I stumbled on these two vids:
Thank you to the New South Wales Centre for that inspiring presentation. 😉
Anyway, these videos do raise the conundrum posed in the subhead. On the one hand, We’re Going on a Bear Hunt is a children’s story by Michael Rosen, illustrated by Helen Oxenbury, first published in 1989. So there’s that. On the other hand, when performing it these artists seem to let loose their natural craziness and touch on aspects of the human condition as well as political realities. Continue reading →
What can John Cleese and The Avengers teach us about human psychology? UPDATED!
Dealing with difficult people is like walking on eggshells. This fact is known to teachers, therapists, ministers, and gurus. Some people are balanced so precariously that, like Humpty Dumpty, they’re bound to take a great fall. What can one then do? Continue reading →
Connecting Picasso and the Circus with Sri Chinmoy, Elena Day, Jim Freund, Genevieve Valentine, and The Outer Limits
In Part 1, I embedded a video of Picasso and the Circus, where a little girl named Elena views Picassos in the museum, with cutaways to a modern-day Parisian circus. I closed by saying this makes me think of many things…
I sometimes listen to Hour of the Wolf, the sci-fi/fantasy radio programme started by the late Margot Adler, and hosted lo these many years by Jim Freund. I remember Jim saying that he loved the Narnia books by C.S. Lewis as a child, but when he reread them in adulthood the magic seemed to be gone.
Aha! I thought to myself. The books are the same, but what has changed? Consciousness has changed! This ties in very nicely with Picasso, who famously said that “It took me four years to paint like Raphael, but a lifetime to paint like a child.” Unless we consciously try to cultivate childlike qualities, those qualities become lost to us — and with them so much beauty and joy! Continue reading →
I began this blog by pondering whether ethics is masculine and spirituality feminine. If compassion and forgiveness are significant aspects of spirituality, they’re also qualities we tend to associate more with women than men. It’s not surprising, then, that the most compassionate rendering of the back story behind the Joyce Hatto scandal comes from Victoria Wood in her BBC treatment Loving Miss Hatto.
I’m working on spec on an article about Hatto and her husband William Barrington-Coupe (known as “Barry”). There are some new factual developments concerning the U.S. side of what was a distinctly British scandal; but in this post I’m less interested in going over the facts than examining the ethics of loving (or hating?) Miss Hatto.
Wood’s treatment is based (very loosely) on “Fantasia For Piano” — Mark Singer’s definitive piece in The New Yorker. If you’re unfamiliar with the matter, that would quickly get you up to speed. The essence is that about a hundred classical piano recordings released under Hatto’s name turned out to be plagiarized in whole or in part from other artists. Head leper is William Barrington-Coupe, who had a dodgy past and is generally considered something of a con man.
Opinion about Hatto herself is more mixed, with those who knew her personally hoping against hope that she was unaware of the nature or magnitude of the fraud committed by her husband. Yet, by most accounts it was more than simple fraud; it was also a hoax (which has a somewhat different complexion than a fraud, implying an artistic playing with reality). And beyond either hoax or fraud, there remains the very real question of whether Hatto and hubby became potty in their senior years. Was the illusion that cancer-ridden septuagenarian Joyce nonetheless had a prolific recording career a form of folie à deux?
Welcome stranger, are ye here for the festival? Seriously, my first post with real content is A Study In Contrasts, but you dear reader deserve a special welcome for finding your way to this blog. While ethics and spirituality are my prime considerations, I expect there’ll be plenty of excursions into music, painting, and poetry. That’s sort of a given with me. And if I can find a way to drag in wry commentaries from britcoms, I’ll probably do that too.
The way this blog is organized, many of the most important or “featured” posts will appear in a carousel of icons near the top of the home page. Sorry, no carousel music — the little hamster in the cage doesn’t know how to play the calliope yet. It’s a thought, though…
Anyway, you can click on the icons in the carousel to read the featured posts. Other (non-featured) posts will appear in sequence on the home page like they normally do.
Thanks for visiting, and if you’re someone who cares about ethics, spirituality and art, then tell a friend about this blog. Disguise your voice if necessary, or speak in code: