Connecting the cultural and political dots, and revisiting a classic film by Costa-Gavras
There’s an old saying that a poem doesn’t mean, but simply is. The saying’s trotted out when folks in English class rambunctiously insist on extracting a prose meaning from a work of poetry — not unlike getting a furball out of a cat by using a brickbat. What’s implied is that poetry is a process, a way of seeing, and that it differs from prose. Try as one might, one may fail to transplant the life of a poem into some other medium.
Like this, really great films may have their subject matter, but what often makes them great is their way of seeing ordinary interactions between people and how the universe works. Yes, there’s a plot and dialogue, and there may be prosaic meanings; but there’s also a certain poetry to filmic images.
So if I tell you the 1969 film Z is a political thriller, don’t misunderstand or imagine it would bore you if you’re not much into politics. Like most great films, it transcends its subject matter by being about people and how the universe works. It remains as fresh and relevant today as it was when released nearly fifty years ago. Continue reading